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| The
Kathmandu valley's visible history is inextricably entangled
with the Malla kings. It was during their reign, particularly
in the 1600s and 1700s, that many of the valley's finest
temples and palaces were built. Competition between the
cities was intense and an architectural innovation in one
place would inevitably be copied throughout the valley.
The
unification of Nepal in 1768 by Gorkha's King Prithvi Narayan
Shah signalled the end of the Kathmandu Valley's fragmentation.
Nepali, an Indo-European language spoken by the Khas of
western Nepal, replaced Newari as the country's language
of administration. In 1816 the Shahs closed the borders
of Nepal and kept the country isolated until the mid 20th
century. In 1846 a bloody massacre of Kathmandu's 100 most
powerful men, held in the very public forum of Durbar Square,
ended the Shah dynasty and installed the Ranas.
The
Ranas weren't too taken with the Shahs' policy of isolation,
and the first Rana maharaja set off for Europe with a huge
entourage, visiting Queen Victoria and causing quite a stir
in stuffy old England. The Ranas were so impressed with
European architecture that they began introducing neo-classical
buildings into their own cities, including the 1904 Singha
Durbar. The Ranas began dressing like European royalty,
and imported all the latest inventions which, strangely
enough, never found their way beyond the royal compounds
into the homes of ordinary folk. During this period of royal
extranvance, the majority of people in Kathmandu became
much poorer and the Hindu caste system became much more
rigid - on the other hand, human sacrifice and slaveryi
were abolished.
On
15 January 1934 a huge earthquake struck the Kathmandu Valley,
killing 4296 people and destroying many of Kathmandu's temples
and palaces. Inspired by the independence movement in India,
Nepalis began a political upheaval - an alliance was formed
between the ousted Shahs, the army's Gurkha regiments and
the dissatisfied poorer extended families of the Rana clan.
In November 1950 they revolted. King Tribhuvan, a Shah,
was anointed ruler in 1951 and struck up a government comprised
of Ranas and members of the newly formed Nepali Congress
Party. Power, of course, remained with only one party -
the king's. After months of uprisings, the Nepali people
were finally granted democracy in 1989.
In
1956, the first motorable road linked Kathmandu with India.
Ten years later another highway opened, and in 1974 international
air services began. Foreign aid began pouring in from the
1960s, bringing with it foreign aid workers and new prosperity
for the city. Kathmandu's population tripled in 20 years,
and the city sprawled, as modern houses sprang up to meet
the needs of ex-pats and immigrants poured in from the country.
In the 60s, the tourists also started flooding in, looking
for cheap living and eastern answers to the questions of
life. Freak St became the centre of the action, as the hippies
set up a huge market for every type of drug, every hybrid
philosophy and any kind of pie in the sky philosphy you
could imagine. Kathmandu was transformed into a tourist
Mecca, and the jumping-off point for the new trekking industry
into the Himilayas.
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| Bhaktapur
means "the city of devotees" in the Sanskrit language. It
is also known as Bhadgaon and was founded in 889 AD by King
Anand Dev. Today it covers an area of four square miles
and is flanked by the Khasa Khusung and Hanumante Rivers.
The palace complex in the middle of the city portrays the
prosperity of the Malla years and the details in which the
craftspeople then worked. The Palace of Fifty-five Windows
stands in the square and it was home to many kings of Bhaktapur.
They even ruled over Kathmandu and Patan from the twelfth
century to the 14th century. The massive gate to the square
was made by King Bhupatindra Malla (1696 to 1722) who took
pride in his own engineering and building skills. His skills
must have been impressive indeed as the gate, though it
looks small now, was among the biggest in the valley and
daunted many an enemy. It is sturdy even now and stands
firmly. Among the other monuments in Bhaktapur are the big
bell, the Golden Gate, the five-tiered temple of Nyatapola,
the Bhairab Temple, and the Dattatreya Square with its woodcarving
and metalwork museums. Surrounded by beautiful farming area,
the traveler to Bhaktapur will easily fall in love with
the city. Bhaktapur is perhaps the most popular of the three
Newar towns of the Kathmandu Valley. Newar art and architecture
here rival the best craftsmanship of the Malla period (from
the 12th to the 18th century). Though a massive earthquake
of 1934 destroyed many temples, bahals (monastery courtyards)
and residences, the city is still a living proof of the
highest craft standards in this part of the world. As the
visitor wanders through narrow brick paved streets, many
alleys will show hidden shrines and statues. Clay craftmanship
as well as cloth weaving is still practiced here very much
as in the past. Fourteen kilometers east of Kathmandu, this
peaceful, conservative town stands in sharp contrast to
the bustle of its two adjacent cities.
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| This
ancient city is situated on the southern bank of the river
Bagmati and is about five kms southeast of Kathmandu. The
city is full of Buddhist monuments and Hindu temples with
fine bronze gateways, guardian deities and wonderful carvings.
Noted for its craftsmen and metal workers, it is known as
the city of artists. Patan is the oldest of the three ancient
city-kingdoms of the Kathmandu valley which once were ruled
by the Mallas. Patan is still populated mostly by Newars,
two-thirds of them being Buddhist. As in Kathmandu and Bhaktapur,
a fusion prevails between Hinduism and Buddhism. Also, as
in those cities, Patan has a Durbar Square and a labyrinth
of winding lanes. The square boasts of many famous sites
and unique architecture. Krishna Mandir in the Patan Durbar
Square was built to honor an incarnation of Vishnu. Krishna
fought by the side of the Pandavs in the Mahabharat war
to assure that truth would prevail. This temple is the best
example of stone architecture in Nepal. Scenes from the
Mahabharat, Asia's greatest mythological war, are carved
on the temple's wall. The Bhimsen Temple which honors Bhim
- great wrestler, brother of the Pandavs, and a deity to
Nepalese businessmen - contains fine samples of metal craft.
The best place, however, to see metal sculpture is the Hiranya
Varna Mahabihar, the "Golden Temple". It is a Newar monastery
which contains wall paintings, fourteenth century statues,
and scriptures. Other sites, including the Mahabouddha Temple
and Uku Bahal, are only a few minutes walk away from the
square. The streets in this area are home to metal sculptors
of the present day. Many more temples dedicated to Ganesh,
the elephant-headed god, Shiva, Narsingha, Taleju, and others
are situated in the Patan Durbar Square. |
Pashupatinath
| Pashupatinath
is Nepal's holiest Hindu Pilgrimage site (followed by the
remote Muktinath in the Himalaya). Like Varanasi in India
- although on a much smaller scale - it is a time-warp of
temples, cremation ghats, ritual bathers and bearded, half-naked
sadhus (religious mendicants). Dedicated to Lord Shiva (one
of the Hindu trinity), the shrines and temples of Pashupatinath
straddle the now-polluted Bagmati river which, like the
Ganges, is considered sacred by the faithful. To die and
to be cremated here is to be released from samsara (the
cycle of rebirth in this world). This wooded ravine near
the golf course and airport is considered to be one of the
abodes of Lord Shiva who is the patron deity (in one of
his more benign forms) of Nepal. Pashupati is another name
for Shiva and means 'Lord of the Animals'. |
Swayambhu
| The
history of the Valley, according to the legends, begins
with Swayambhu, or "the self-existent". In times uncharted
by history, Bodhisattva Manjusri came across a beautiful
lake during his travels. He saw a lotus that emitted brilliant
light at the lake's center, so he cut a gorge in a southern
hill and drained the waters to worship the lotus. Men settled
on the bed of the lake and called it the Kathmandu Valley.
From then on, the hilltop of the Self-existent Lord has
been a holy place. Swayambhu's light was covered in time
because few could bear its intensity. By the thirteenth
century, after many layers were added to the original structure
that enveloped the Lord's power, a dome-like shape had been
acquired. The stupas central mast was damaged and replaced
at that time. Peripheral sources of power were discovered
on the hilltop as well and stupas, temples, and resthouses
were built to honor them. Image of important deities, both
Buddhist and Hindu, were also installed. Today, age-old
statues and shrines dot the stupa complex. Behind the hilltop
is a temple dedicated to Manjusri of Saraswati - the goddess
of learning. Swayambhu is the best place to observe the
religious harmoney in Nepal. The stupa is among the most
ancient in this part of the world, and its worshippers are
diverse from Newar nuns, Tibetan monks, and Brahmin priests
to lay Buddhists and Hindus. The largest image of the Sakyamuni
Buddha in Nepal is in a monastery next to the stupa. Other
monasteries here have huge prayer wheels, fine Buddhist
paintings. Swayambhu is a major landmark of the Valley and
looks like a beacon below the Nagarjun hill. It provides
an excellent view of the Kathmandu Valley.
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Budhanilkantha
Situated
below Shivapuri hill at the northern end of the valley, Buddhanilkantha
temple is 9 km from Kathmandu city. The temple consists of a pond
in which lies a great stone figure of the Hindu god Vishnu reclining
on the coils of a cosmic serpent. The huge statue of sleeping Vishnu
is carved from the single block of black stone of a type not found
in the valley. It is believed that ages before two hardworking farmers
(husband and wife) discovered the statue when they were ploughing
their field.
Besides
Budhanilkantha temple, there are two sets of exactly similar, but
smaller statues of 'sleeping Vishnu' in the Valley. One set is in
the Balaju garden and the other is hidden in the old garden of Hanuman
Dhoka Palace of Kathmandu city. A prophetic dream of King Pratap
Malla generated the belief that the King of Nepal should never visit
Buddhanilkantha temple on threat of death. He then built the similar
statue in two places.
Hanuman
Dhoka (Durbar Square)
The
Square is the complex of palaces, courtyards and temples that are
built between the 12th and the 18th centuries by the ancient Malla
Kings of Nepal. It is the social, religious and urban focal point
of the city. Taleju Temple, Kal Bhairab (God of Destruction), Nautalle
Durbar, Coronation Nasal Chowk, the Gaddi Baithak, the statue of
King Pratap Malla, the Big Bell, Big Drum and the Jagnnath Temple
are some of the interesting things to see in this Square.
An
intriguing piece here is the 17th century stone inscription that
is set into the wall of the palace with writings in 15 languages.
It is believed that if anybody deciphers this entire inscription,
the milk would flow from the spout, which lies just below the unscripted
stonewall. Some people say that the inscription contains coded directions
to a treasure King Pratap Malla has buried beneath Mohan chowk of
Durbar Square.
There
are several museums inside the palace building. There is an entrance
fee of Rs. 250 for all the foreign visitors to visit all the museums
of the palace building.
Kasthamandap
King Laxmi Narsingha Malla built this temple in the sixteenth century.
It is said to be constructed from the wood of single tree. It is
located near the temple of Kumari. Indeed the city of Kathmandu
derives its name from this temple.
Behind Kasthamandap, there is a small but a very important temple
of Ashok Vinayak, also known as Kathmandu Ganesh or Maru Ganesh.
Changu Narayan Temple
It lies on a ridge over looking the Valley, about twelve-kilometer
to the east of the city. It is dedicated to the Hindu God Vishnu.
The scared complex is a World Heritage Site. It has one of the finest
and oldest specimens of pagoda architecture that is embellished
with exquisite wood and stone carvings.
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